Sam Westwood's Hollywood

Can't be worse than Patrick Stewart playing a poop emoji IOTL right?
No, see, that I can wrap my head around. I've known about his sense of humor for ages and British actors are known for not turning down any gig so long as there's a paycheck involved.

It's that someone out there looked at a script filled with what was supposed to be witty repartee, sprinkled liberally with old Cole Porter songs, then looked at Burt Reynolds and said this is the man to bring this vision to life. And don't take that to mean I don't like Burt Reynolds. In his wheelhouse, he's a good actor. I loved him in the first Smokey and the Bandit movie, or both versions of The Longest Yard. But this sort of thing is not his wheelhouse.
 
I just discovered that Mario Puzo wrote the the script for Earthquake in the OTL.
That lower my opinion of him as a writer .

I assuming that the behind the scene people are the same .
To be fair, no one went to Earthquake for the story.
We just wanted to see Los Angeles get destroyed.
 
I'm still trying to wrap my head around Burt Reynolds in a 30's style musical. It's just such a complete mental disconnect for me.

I think he might have had TWO unless the movie with Liza was something different. It's supposed to be a mess and Burt was seriously miscast. Boggles me that someone in here was worried about my idea potentially wrecking his career.

There's an 80's movie with (speaking of difficult actors) Ryan O'Neal, Shelley Long, and Sharon Stone where the whole Shepherd/Bogdanovich thing is parodied. That film is spoofed in the form of a Gone With The Wind musical.
 
No, see, that I can wrap my head around. I've known about his sense of humor for ages and British actors are known for not turning down any gig so long as there's a paycheck involved.
Malcom McDowell would probably show up at a birthday party if you paid him enough. 😂
 
Malcom McDowell would probably show up at a birthday party if you paid him enough. 😂
My favorite comment from a actor on appearing on a bad movie is that of Michael Cain .
Ask why he appeared in Jaw 4 the Revenge : "I never seen it. I hear it not very good. But I have seen the house I build from the paycheck. It very nice."
 
My favorite comment from a actor on appearing on a bad movie is that of Michael Cain .
Ask why he appeared in Jaw 4 the Revenge : "I never seen it. I hear it not very good. But I have seen the house I build from the paycheck. It very nice."
Also, If I recall correctly, the year Michael Cain appeared in "Jaws 4: The Revenge" was also the year in which he appeared in around four, or five, other movies. In short, that year was a very busy year for Michael Cain.
 
Also, If I recall correctly, the year Michael Cain appeared in "Jaws 4: The Revenge" was also the year in which he appeared in around four, or five, other movies. In short, that year was a very busy year for Michael Cain.
One of the reason , Cain takes all the work that he can is so when a good project shows up , he can do it and not worry about money.
He showed up at a independent film production offices and told them , he wanted to do a role in the film.
They told him, that they love to have him do the role but they lack the money to pay him anything close to what he was worth.
Cain did the role for scale . He been paid a lot for a number of crappy roles , He could afford to do a good one for almost nothing .
 
One of the reason , Cain takes all the work that he can is so when a good project shows up , he can do it and not worry about money.
He showed up at a independent film production offices and told them , he wanted to do a role in the film.
They told him, that they love to have him do the role but they lack the money to pay him anything close to what he was worth.
Cain did the role for scale . He been paid a lot for a number of crappy roles , He could afford to do a good one for almost nothing .
Precisely!
 
Earthquake (Universal, November 15th, 1974)
"The main issue in pre-production was casting. Earthquake had the unfortunate disposition of being in production at Universal at the same time 20th Century Fox and Warner Brothers were teaming up for The Towering Inferno. With a great deal of the cast being snapped up for the bigger film, Universal was at a loss for names. Charlton Heston, who had previously appeared in Airport 1975 was unavailable. George Peppard, at the time starring in Banacek for Universal's television division, was the logical choice but he unexpectedly turned the film down. A coup of sorts was scored when Sharon Tate signed on to play the role of Denise Marshall, but the studio needed a big-name leading man to head the picture. Meanwhile, one of the biggest stars in Hollywood had walked away from the latest Peter Bogdonavich picture, the notorious flop At Long Last Love, and was now available. Burt Reynolds had first pick of both male leads, the hard-to-cast Stewart Graff, the former football star turned architect who was in a troubled marriage with Remy (Kim Novak, another casting coup), or Lew Slade, the tough cop. Reynolds thought the Slade character was better suited for his talents and the role of Graff eventually went to James Fransiscus. While Reynolds did have a brief fling with co-star Morgana Etsiddy in between high-profile romances with both Dinah Shore and Sally Field, it was Fransiscus whose personal life became more interesting to the public. The actor entered a serious relationship with Sharon Tate during filming. Fransiscus' marriage to Kitty Wellman, daughter of legendary director William A. Wellman had ended a year earlier--" [1]

-Nolan Hendricks, from a 2014 essay on Earthquake posted on his personal film blog.

Earthquake
(Universal, November 15th, 1974)

Produced by Mark Robson & Jennings Lang

Written by George Fox & Mario Puzo

Directed by Mark Robson

Music by John Williams

Cast
(Main Cast Only)

Burt Reynolds as Lew Slade [2]

James Fransiscus as Stewart Graff

Sharon Tate as Denise Marshall

Kim Novak as Remy Royce-Graff

Richard Roundtree as Miles Quade

Lorne Greene as Sam Royce

Morgana Etsiddy as Rosa Lapahie [3]

August Schellenberg as Sam Lapahie

Marjoe Gortner as Jody Joad

Lloyd Nolan as Dr. James Vance

Barry Sullivan as Dr. Willis Stockle

Kip Niven as Walter Russell

Walter Matthau as Drunk (credited as "Walter Matuschanskayasky")

Monica Lewis as Barbara

Pedro Armendáriz, Jr. as Emilio Chavez

Lloyd Gough as Bill Cameron

John Randolph as Mayor Lewis

Scott Hylands as Max

Tiger Williams as Corry Marshall

Trivia from IMDB

Future Hollywood talent agent Victoria Principal unsuccessfully auditioned for the role of Rosa before the part was rewritten for Morganna Etsiddy. Susan Sarandon was also considered but passed over as producers felt there was a slight resemblance to Sharon Tate. [4]

There are some additional scenes intact that were cut IOTL:

1) Lloyd Nolan's character pops up much earlier via a deleted scene that establishes Dr. Jim Vance as Remy's personal doctor earlier in the film after Remy's faked overdose. The scene and involves Dr. Vance inadvertently telling Stewart Graff that Remy Royce-Graff had an abortion a few years prior (Stewart was told it was a miscarriage - he wanted to have children).

2) Seismologists Stockel and Russell surviving the quake, and discussing the magnitude.

3) Denise Marshall shows up to the Universal lot to film her scene in a movie only to be turned away due to quake damage on the set.

There are also changes to the elevator scene, the special effects crew were able to get it right ITTL and it was notorious for being extremely gory.

The ending is the same as IOTL. Burt Reynolds refused to do the movie if his character was bumped off as he felt it would upset his fans.

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From a cassette tape belonging to the archive of Nolan Hendricks. This one is labeled 'Sam Westwood, 1990'. This tape has cut into a conversation about Earthquake.

Sam:
I found it kind of disgusting--

Harris: That elevator scene was cool!

Sam: It was gross! I almost threw up but it was at the premiere and I was with Kim Novak and didn't want to embarrass her! She liked my movies and wanted to meet me and contacted Dick.

Harris: I thought maybe she had a thing for Sam, but--

Sam: Nah. She knew. She'd already started to meet the guy she married by then and just wanted to meet me and discuss maybe doing a film together. That was an honor as she was partially retired.

Harris gives me flack for doing gory movies but hating that scene. People generally know what to expect walking into a horror film. Disaster movies became more sensationalist as the trend wore on. It was like this effort to out-gross the last one. And I don't mean in terms of ticket sales.

Harris: I remember hearing that some little old lady saw the movie in the theatre and barfed into her handbag when the elevator scene came on and all the blood was gushing everywhere. (laughs)

Sam: Trust you to know that story--

Nolan: Kim Novak has expressed regret about appearing in the film, but her performance was brilliant.

Sam: It really was. I remember reading, was it, Roger Ebert? He said that the film actually had some great acting but that it was overshadowed by the special effects and gore. Universal probably didn't care, I imagine it made a bucketload of money--

Blind Item from Late 1974:

"This child star turned Bond Girl has been spotted around town recently with a former co-star who she recently made another picture with--"

Footnotes

[1] James Fransiscus divorces Kitty Wellman four years earlier ITTL, and their younger two children are butterflied. He had also managed to kick his smoking habit prior to signing onto Earthquake.

[2] Evidently, before Heston, Ava Gardner and George Kennedy were all cast, it appears that Universal had younger actors in mind for these parts, one of them being Burt Reynolds.

[3] The role of Rosa was rewritten for Navajo actress Morgana Etsiddy (see previous post mentioning her here). Etsiddy had made a splash with her first major role the year before in The Legend Of Hell House. Etsiddy later admitted to not being happy with the role of Rosa and listed it as one of the reasons why she quit acting around 1978. Etsiddy also insisted on doing her own hair for the part, vetoing the original plan to give her character an afro wig.*

[4] If you see a very young Susan Sarandon in Joe (1970), there was a passing resemblance to Tate.

*I know there is evidence that allegedly was not a wig, but if it walks like a duck...
 
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OK I can buy Burt Reynold as the Cop that George Kennedy played in the original timeline movie.
Does this version focus more on him since he the big name star?
I really like you female cast in this version .
 

The Man With The Golden Gun (United Artists, December 19th, 1974)

Music by John Barry (Theme song written by Alice Cooper, Glen Buxton, Michael Bruce, Dennis Dunaway, & Neal Smith. Performed by Alice Cooper) [1]

Screenplay by Edward O'Malley, Richard Maibaum, Tom Mankiewicz (Based on The Man with the Golden Gun by Ian Fleming)

Produced by Albert R. Broccoli & Harry Saltzman

Directed by Guy Hamilton

Cast

Roger Moore
as James Bond 007

Christopher Lee as Scaramanga

Jane Seymour as Mary Goodnight [2]

Maud Adams as Andrea Anders

Introducing Linda Hunt as Demi Tasse [3]

Yaphet Kotto as Felix Leiter [4]

Soon-Talk Oh as Lieutenant Hip

Diana Dors as Saida: A British belly dancer living in Beirut. [6]

Richard Loo as Hai Fat

Bernard Lee as M: The head of MI6

Marc Lawrence as Rodney, an American gangster who attempts to outshoot Scaramanga in his funhouse. Pre-title sequence. [5]

Desmond Llewelyn as Q

Marne Maitland as Lazar

Lois Maxwell as Miss Moneypenny

James Cossins as Colthorpe

Plot

pre-title sequence:

There is some focus on the henchman, the German-born Demi Tasse (Hunt) who is fluent in three languages (Mandarin, English, and German), as well as Scaramanga's lair where he lives with Tasse and Anders (Adams). The highlight is Scaramanga's (Lee) shootout with Rodney. The shootout ends with Scaramanga shooting the fingers off of a wax figure of James Bond. The camera zooms in on his gun and then Alice Cooper's theme song kicks in.

* Post-credits, the film is similar to OTL for the first bit. There are gradual changes thanks to input given by Edward O'Malley, his last effort in the franchise.*

In London, a golden bullet with James Bond's code "007" etched into its surface is received by MI6. It is believed that it was sent by assassin Francisco Scaramanga, who uses a golden gun, to intimidate Bond. Because of the perceived threat to the agent's life, M relieves Bond of a mission revolving around the work of a scientist named Gibson, thought to be in possession of information crucial to solving the energy crisis with solar power. Bond sets out unofficially to find Scaramanga.

After retrieving a spent golden bullet from a belly dancer in Beirut (Diana Dors in a memorable cameo), and tracking its manufacturer to Macau, Bond sees Andrea Anders, Scaramanga's mistress (Adams), collecting the shipment of golden bullets at a casino. Bond follows her to Hong Kong and in her Peninsula Hotel room seduces her into spilling the dirt on Scaramanga. [7]

Anders tells Bond about the Bottoms Up Club. The Bottoms Up Club is the location of Scaramanga's next 'hit', Gibson, from whom Scaramanga's dwarf henchman Demi Tasse steals the "Solex agitator", a key component of a solar power station. Before Bond can assert his innocence, however, Lieutenant Hip escorts him away from the scene, taking him to meet M and Q in a hidden headquarters in the wreck of the RMS Queen Elizabeth in the harbor. M assigns 007 to retrieve the Solex Agitator. *

After British Intelligence Agent Mary Goodnight (Seymour) shows Bond where Miss Anders is staying, she hopes to spend the evening with Bond, but 007 declines, as he has his meeting with Hai Fat, a wealthy Thai businessman who MI6 suspect of arranging Gibson's murder. Goodnight, standing in front of the hotel, is rather miffed when she sees Hip's nieces riding along in the backseat as they take off.

Bond had earlier posed as Scaramanga, but his plan backfired because unknown to Bond, Scaramanga is actually operating at Hai Fat's estate. 007 is captured and placed in Fat's dojo, where the fighters are instructed to kill him. After escaping with the aid of Hip and his nieces, Bond speeds away on a long tail boat along the river and reunites with his assistant Mary Goodnight. Scaramanga subsequently kills Hai Fat and usurps control of his empire, taking the Solex with him. Bond doesn't realize that during the tail boat chase, his best friend and CIA informant Felix Leiter (Kotto), who was visiting on vacation, had spotted Bond.

Later on, Goodnight is in the middle of a romantic encounter with Bond when Andrea Anders barges in with information for Bond. Bond tries to hide Goodnight in the bed, who goes along with it until he tries to stuff her into a closet. Bond condescendingly tells Goodnight that "Her turn will come". Disgusted, Goodnight instead tells Bond off, knees him in the groin and leaves out a bathroom window with her belongings. Anders hears Bond howling and runs into the bedroom to ask if he is ok. Bond tells her "It was really nothing, I just shut my hand in the closet".

Bond then proceeds to spend the night with Anders, who agrees to meet Bond the next day with the solex.

Bond meets with Miss Anders at a sumo wrestling event with Goodnight and Hip as his backup. Goodnight takes control of the Solex. Hip poses as a peanut vendor. Bond shows up to find Anders dead, killed by Scaramanga. Bond and Scaramanga have a conversation while Tasse sits behind them eating peanuts. Tasse eventually vanishes. Unbeknownst to Bond, Tasse has banished to vandalize Bond's vehicle.

Meanwhile, while placing a homer on Scaramanga's AMC Matador, Goodnight is pushed into the car's trunk by Scaramanga himself. Hip, who was the designated getaway driver grabs the car keys and heads out with Bond to follow Scaramanga and Demi Tasse who have Goodnight in their trunk. The two agents discover that the car has been vandalized.
A car pulls up, Bond realizes that it is his friend, CIA operative Felix Leiter, who tells the two agents to get inside. A high-speed chase ensues between Bond/Leiter/Hip and Scaramanga/Tasse. Scaramanga's vehicle transforms into a plane, which flies himself, Nick Nack and Goodnight away from Bond.

Before Bond parts ways with Leiter, the two deduce that Goodnight is at Scaramanga's lair. Bond flies a seaplane into Red Chinese waters and lands at Scaramanga's island. Upon landing, Bond is greeted by Scaramanga who shows him the solar power plant operation that he has taken over, the technology for which he intends to sell to the highest bidder. While demonstrating the equipment, Scaramanga uses a powerful energy beam to destroy Bond's plane.

Bond then meets up with Goodnight who is on the island. During a meal where Goodnight and Demi Tasse are present, Scaramanga proposes a duel to Bond.

Scaramanga then proposes a pistol duel with Bond on the beach; the two men stand back to back and are instructed by Demi Tasse to take twenty paces, but when Bond turns and fires, Scaramanga has vanished. Tasse leads Bond into Scaramanga's Funhouse where Bond stands in the place of a mannequin of himself; when Scaramanga walks by, Bond takes him by surprise and kills him.

Goodnight meanwhile fights one of Scaramanga's henchmen with her black belt karate skills. Unfortunately, the henchman falls into a pool of liquid helium. Realizing that what she has done will upset the balance of the solar plant, which begins to go out of control, she runs and gets Bond. Bond retrieves the Solex unit just before the island explodes, and they escape unharmed via Goodnight, who leads 007 to Scaramanga's Chinese junk (yacht). Bond then fends off a final attack by Demi Tasse, who had smuggled himself aboard, subduing Tasse, who is then tied to the mast of the yacht as Alice Cooper's theme song kicks back in.

James Bond will return in The Spy Who Loved Me.

Trivia

Critical reception was mixed. Newcomer Linda Hunt, an unknown stage actor discovered by Broccolli and Edward O'Malley was praised for her performance. Jane Seymour also was noticed for her role as Mary Goodnight. Christopher Lee's turn as the antagonist was a breath of fresh air for the actor who soon found himself in Hollywood where he was getting better film offers. However, as Ebert noted, the film tended to go from tongue in cheek to very dark at times.

"It doesn't know if it wants to be a silly Bond film like Diamonds Are Forever or a more serious entry in the series. One minute we're treated to a rather bizarre cameo from British star Diana Dors as a belly dancer, the next there are moments that give the film dark undertones".

-Roger Ebert

Edward O'Malley wanted to kill off Felix Leiter to give the film more of a serious edge. Richard Maibaum and Tom Mankiewicz shot the idea down. Interestingly, the latter two had wanted to bring back Sheriff Pepper from the previous film, an idea O'Malley shot down.

Regardless, the film did decent box office, and Alice Cooper's theme song became a chart hit in early 1975. However, Moore decided it would be his last outing as Bond. The actor had also appeared in the film Gold alongside Susannah York during 1974 and wished to appear in more non-Bond roles. British actor Ian Ogilvy, best known for the 1969's proto-slasher film The Dark, and 1970's Wuthering Heights (which featured former Bond Julian Glover) was announced sometime later as Moore's replacement.

Jane Seymour signed a contract with Broccoli to star in a proposed Mary Goodnight spin-off film at a later date.

Notes

[1] Cooper's theme doesn't get rejected ITTL and is left off of the 1973 Muscle Of Love LP to be included in this film. Lulu's recording is rejected here.

[2] I crammed Britt Ekland into On Her Majesty's Secret Service (1967) so she could still say she did a Bond film. Seymour, passed over for Live And Let Die ITTL, is cast. Her Mary Goodnight is brighter than the one Britt Ekland portrayed due to changes demanded in the script by Edward O'Malley. She also doesn't put up with Bond's antics in the motel room.

[3] Per IMDB: "In earlier versions of the script, the character of Nick Nack played by Hervé Villechaize was originally called Demi Tasse and Hai Fat had a business partner called Lo Fat, a character which was scrapped". I decided to go with Demi Tasse rather than Nick Nack. Hunt plays Demi Tasse as portrayed by Hunt is an androgynous male German of small stature living in Hong Kong who wears a suit and straw fedora. Picture a miniature Irma Bunt mixed with Odd Job.

[4] Felix Leiter replaces the insufferable Sheriff Pepper.

[5] IOTL, Lawrence played a gangster in Diamonds Are Forever that may have been the same character. ITTL, it's not the same character.

[6] Supposedly Saida was originally written as overweight and wearing excessive make-up. Diana Dors, fresh from a small role in Theatre Of Blood came to mind. The scene where Saida notices the golden bullet she keeps in her navel missing is played out more for humor here.

[7] While the other two credited screenwriters wanted a more aggressive Bond akin to Sean Connery, O'Malley scoffed at the idea. Instead of smacking Maude Adams character about, he smooth talks her instead. He is still smarmy enough for Mary Goodnight to knee him in the groin, however.
 
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The Towering Inferno (20th Century Fox/ Warner Brothers, December 14th, 1974)
The National Enquirer, sometime in Mid-1974:

"Sam Westwood was let go after filming five days on Irwin Allen's all-star disaster epic The Towering Inferno. Sources say the actor, 29, who was also let go (some sources say fired) from Arthur P. Jacob's upcoming production of Dune, had been miscast. Despite the rumors, co-stars Judy Garland, Paul Newman, and Jeffrey Hunter all apparently tried to help him out on set. Sources say Westwood passed out, allegedly from the stress of non-stop TV appearances following the Dune debacle. Westwood was replaced at the very last minute by former Mission: Impossible actor Peter Lupus in a reduced role.

Will Westwood, a recent Golden Globe winner for his role in The Last American Hero, be able to turn his career around, or will he continue to have difficulties on future film sets?"

From Sam Westwood's Hollywood

Sam:
The tabloids constantly tried to find ways to make me look bad. When I had that small run of bad luck, they got off on it. I don't want to boast, but when I got nominated a second time, it felt good because in a way it was sort of flipping a middle finger to The National Enquirer.
On the other hand, when I was outed, they once again had a field day with me--

From a 1984 People Magazine profile on actor Scott Newman.

The son of Paul Newman is talking about how adopting a healthier lifestyle and practicing meditation might have saved his life.


"I thought Peter Lupus was kind of pushy about health and fitness at first, but he helped saved my life. Being the son of Paul Newman was really difficult for me. I was coping through drugs and alcohol. I could never give up wine, though--"

From a cassette tape belonging to the archive of Nolan Hendricks. This one is labeled 'Sam Westwood, 1990'.

Sam: Paul and Joanne are still really close friends. Scott--it took a while for Scott to warm up to us.

Harris: I wanted to be friends with Scott once he came back into the picture. We were the same age and we'd both struggled with addiction. But he was a bit aloof around me at first and I mean, yeah, it hurt.

Once we did become friendly, he confided to me that because I was still relapsing when we met, and especially after my incident on Ian Noble's yacht, he was afraid that if we got too close, it might cause him to relapse as well.

I wasn't insulted. I don't know if I would have wanted to be friends with myself in the mid-'70s either. Hell, I'm surprised Sam here stuck around.

Sam: It wasn't easy, I gave him an ultimatum, and he decided he'd rather get the help than lose me. And I did reach out to Scott who extended an olive branch to Harris. But it took a while.

I think it was also the fact that he probably didn't want to hang out with his dad's friend.

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The Towering Inferno (20th Century Fox/ Warner Brothers, December 14th, 1974)

Directed by John Guillermin

Produced by Irwin Allen

Screenplay by Stirling Silliphant (Based on The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson)

Music by John Williams

Cast
(Main Cast Only)

Paul Newman as Doug Roberts, the Architect

Natalie Wood as Susan Franklin, Doug Roberts' fiancée

William Holden as James "Jim" Duncan, the Builder

Jeffrey Hunter as Roger Simmons, the Electrical Engineer, and Duncan's son-in-law

Judy Garland as Lisolette Mueller

Fred Astaire as Harlee Claiborne, the Con-Man who flirts with Mrs. Mueller

Peter Lupus as Michael "Mike" O’Halloran, SFFD 5th Battalion Chief

Ken Norton as Harry Jernigan, the Chief Security Officer

Erin Gray as Patty Duncan Simmons, James Duncan's daughter

Robert Vaughn as U.S. Senator Gary Parker

Richard Chamberlain as Dan Bigelow, the Public Relations Officer

Susan Flannery as Lorrie, Dan's secretary

Gregory Sierra as Carlos, The Bartender

Dabney Coleman as SFFD Deputy Chief 1

Mike Lookinland as Phillip Allbright

Scott Newman as Young Fireman

Maureen McGovern as Singer at Party

Trivia from IMDB

Former Mission: Impossible actor Peter Lupus was cast as O'Halloran after first choice Steve McQueen died in a late-1973 car accident and replacement Sam Westwood collapsed of nervous exhaustion on set.

Judy Garland beat out several actresses for Lisolette including Jennifer Jones. Garland would later admit to taking the role because she felt it would be her last chance at fulfilling Fred Astaire's wish of doing another film together.

Peter Lupus introduced Scott Newman, the then troubled son of Paul, to the world of fitness and healthy dieting.

William Holden wanted top billing but was quickly shot down by producers.

Reviews were positive. Ebert especially praising Inferno, calling it the best of the wave of disaster films.

Erin Gray's career hadn't really gone anywhere after a promising debut in the Sam Westwood vehicle The Grifters. Subsequent films had done little, and Gray had been relegated to television and further modeling work before the offer came up to play William Holden's daughter in this film.
 
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Bits and Pieces, Late-1974
"Jessica Harper of this year's cult movie curiosity Phantom Of The Paradise will be appearing in another horror-themed musical, a big-screen adaptation of the London stage production The Rocky Horror Show for 20th Century Fox. Appearing alongside Harper in the role of heroine Janet Weiss will be Barry Bostwick (Broadway's Grease), Playgirl centerfold Harris Walker, singer Meat Loaf (formerly of Stoney and Meat Loaf), and Tim Curry who will be reprising his role as Dr. Frank-N-Furter."

-Variety, Fall 1974

************************************************************************

"Writer Max Elrich and Director J. Lee Thompson have announced that they still intend to film The Reincarnation Of Peter Proud without backing from Cinerama and Bing Crosby Productions. Thompson was attached to direct when the production fell through earlier this year. Thompson is in talks with various studios, most notably Universal Pictures--"

-Variety, late-1974

***********************************************************************

"Natalie Wood turned heads by showing up to the star-studded premiere of The Towering Inferno in a Zandra Rhodes gown with co-star Jeffrey Hunter on her arm. The dress, which the British designer has dubbed her Field of Lillies gown, has become sought after by the fashion set--"

-Rona Barrett's ABC News gossip segment

************************************************************************

"Dune release delayed until mid-1975 due to post-production--"

-Variety, Late-1974

***************************************************************************
"Arthur Jacobs wanted the film ready for December 1974 which was impossible. I knew it wouldn't be out until Summer, 1975 at the earliest--"

-Douglas Trumbull Dune DVD commentary, 2005

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The 47th Academy Awards: Winners and Nominees (Main Categories Only)
The 47th Academy Awards: Winners and Nominees (Main Categories Only)​

Best Picture

Harry And Tonto

Chinatown
The Godfather Part II
The Conversation
Lenny


Best Director

Paul Mazurky-
Harry And Tonto

Jack Nicholson- Chinatown
Francis Ford Coppola – The Godfather Part II
Bob Fosse – Lenny
Shaun K. Davis- Erring On The Side Of Caution

Best Actor

Art Carney –
Harry and Tonto

Jack Nicholson – Chinatown
Albert Finney – Murder on the Orient Express
Dustin Hoffman – Lenny
Al Pacino – The Godfather Part II

Best Actress

Carol Lynley-
Chinatown

Liza Minnelli- Erring On The Side Of Caution
Diahann Carroll – Claudine
Valerie Perrine – Lenny
Gena Rowlands – A Woman Under the Influence

Best Supporting Actor

Robert De Niro –
The Godfather Part II

Fred Astaire – The Towering Inferno
Jeff Bridges – Thunderbolt And Lightfoot
David McCallum- Erring On The Side Of Caution
John Huston- Chinatown

Best Supporting Actress

Ellen Burstyn-
Harry And Tonto

Ingrid Bergman – Murder on the Orient Express
Valentina Cortese – Day for Night
Madeline Kahn – Blazing Saddles
Tina Louise- Targeted

Best Original Screenplay

Erring On The Side Of Caution- Shaun K. Davis

Claudine- Lester Pine & Tina Pine
The Conversation – Francis Ford Coppola
Chinatown- Robert Towne
Harry and Tonto – Paul Mazursky and Josh Greenfeld

Best Adapted Screenplay

The Godfather Part II – Francis Ford Coppola and Mario Puzo

Young Frankenstein- Gene Wilder and Mel Brooks
The Apprenticeship of Duddy Kravitz– Mordecai Richler and Lionel Chetwynd
Lenny– Julian Barry
Murder on the Orient Express– Paul Dehn

Best Cinematography

Chinatown

The Towering Inferno
Earthquake



Best Original Song

"Old Souls"- Phantom Of The Paradise


"The Man With The Golden Gun"- The Man With The Golden Gun
"We May Never Love Like This Again" — The Towering Inferno
"Benji's Theme (I Feel Love)" — Benji
"Blazing Saddles" — Blazing Saddles
"Little Prince" — The Little Prince


Best Original Dramatic Score

The Godfather Part II – Nino Rota, Carmine Coppola

Chinatown – Jerry Goldsmith
Murder on the Orient Express – Richard Rodney Bennett
Shanks – Alex North
The Towering Inferno – John Williams

Best Original Song Score and Adaptation

The Great Gatsby – Adaptation Score by Nelson Riddle

The Little Prince – Song Score by Alan Jay Lerner and Frederick Loewe; Adaptation Score by Angela Morley and Douglas Gamley
Phantom of the Paradise – Song Score by Paul Williams; Adaptation Score by Paul Williams and George Aliceson Tipton
 
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Best Picture

Harry And Tonto

Chinatown
The Godfather Part II
The Conversation
Lenny
While I don't mind a alternative nomination in place of Towering Inferno , What changed with Godfather Two to allow Harry and Tanto to win?
I could see Chinatown get a win in place of Godfather two but It need more then a nomination to get Harry and Tonto the wins you given it.
 
While I don't mind a alternative nomination in place of Towering Inferno , What changed with Godfather Two to allow Harry and Tanto to win?
I could see Chinatown get a win in place of Godfather two but It need more then a nomination to get Harry and Tonto the wins you given it.
Because The Godfather and Chinatown are overrated and I actually happen to like Harry and Tonto.

There are already 6,000,000 threads about The Godfather on here anyway. Go browse one of those if you feel inclined. 🤷‍♂️
 
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